Narrated by Academy Award winner KATE WINSLET - Shaped by more than 250 ARTISTS ACROSS 100 COUNTRIES
A Cinematic Symphony Of Our Planet
85 minutes of monumental imagery, captured in the real world, by human hands.
No artificial intelligence. No digital fabrication.
A 70-piece sweeping orchestral score, accompanied by the ethereal voices
of the world-renowned Vienna Boys Choir & Vienna Girls Choir.
This is not just a film. It´s an experience. And a rare reminder that our planet is still worth saving.
DREAMSCAPES will be released worldwide on International Mother Earth Day, April 22, 2026. The website opens now to share the journey - and to prepare what comes next.
“One of the great joys for me as an actress has always been being able to express something I feel deeply. With this film, that feeling was immediate.”
KATE WINSLET
A visual adventure for the whole family!
The music and images work together in a way that feels almost physical. You don’t just watch the planet, you feel it. It left me with a renewed sense of respect for how rare and beautiful this world really is.
— Daniel Foster, Vancouver, Canada
This is not just a nature film, it’s a reminder. The combination of imagery and music made me feel connected to places I’ve never been. It made me want to protect them as if they were my own.
— Anna Keller, Munich, Germany
I expected beautiful images and powerful music, but the film did something deeper. It reminded me how extraordinary this planet still is, and how rarely we actually stop to see it. I left the cinema feeling quiet, grateful, and alert.
— Emily Carter, London, UK
The beauty is overwhelming, but never empty. Each scene feels like an invitation to care again. It reminded me why the Earth is not just where we live, but something we belong to.
— Laura Martínez, Barcelona, Spain
I’ve seen many documentaries, but this one slowed me down. It made the planet feel vast, alive, and worth defending. I walked out seeing the world around me differently.
— Michael Thompson, London, UK
The visuals are stunning, but what stayed with me was the feeling of responsibility. The film doesn’t lecture, it simply shows what we stand to lose. That made the beauty feel fragile and precious.
— Jonas Richter, Hamburg, Germany
Watch it - Anywhere. Anytime.
On your TV, desktop, or mobile. Stream whenever you want. As often as you want.
Your DREAMSCAPES - PACKAGE:
The full DREAMSCAPES movie, streaming on all devices - including 4K*
The original DREAMSCAPES poster, printable and signed by Kate Winslet**
Soundtrack highlights from the original orchestral score**
A 45-page companion, with selected imagery and background stories**
Nine printable coloring pages, for children - or yourself**
Access to the member gallery, featuring curated images from around the world
One-time package access: €25 / $30
Includes full access and all package materials. Payment in multiple currencies available. That’s it. Nothing else needed.
Your viewing supports the United Earth Project — a shared commitment to seeing our planet with care and responsibility.
Worldwide Release on April 22nd, 2026
“International Mother Earth Day”
* Several formats available, 4K availability depends on device and connection. TV requires the download of the Eventive-app via Amazon Fire-TV, Google-TV, Apple-TV, etc.
** As digital download / printable content
The United Earth Project
The United Earth Project is a global initiative born from DREAMSCAPES.
By watching the film, you become part of a growing community — and help make DREAMSCAPES accessible beyond traditional cinema spaces. Your participation enables free screenings for children, students, and people who are often left out of cultural experiences.
Within the community, members share carefully curated images of our planet — quiet reminders of its beauty, its fragility, and its value.
During the three-year creation of DREAMSCAPES, more than 250 artists from over 100 countries worked together across continents, cultures, and backgrounds. Different languages, different perspectives — connected by a shared respect for the world we live on. That collaboration did more than create a film. It proved something simple, and powerful: working together without borders is still possible.
The United Earth Project carries that experience forward — not as an idea, but as a lived practice. A community built on collaboration, shared beauty, and openness.
In a time that often feels divided and overwhelming, the United Earth Project exists to offer something increasingly rare: a calm, unifying view of the one planet we all share.
Christian Machacek / Director and Writer of DREAMSCAPES
Only 3 of 250+ Creators
KATE WINSLET / Narration
How did you become involved with the project DREAMSCAPES?
When this project came in and my agency contacted me about it, my insides immediately lifted. I felt so excited to be part of something that was not focused on underlining the declining world but really amplifying the beautiful natural world that is still there. And we all have this shared responsibility to protect it. Being able to give my voice to something that felt very unique, very beautiful, and very special was something to which my heart was drawn straight away.
What in particular attracted you to the project?
I think people are more inclined to be inspired to do good if they see beautiful images instead of endless images of floods and hurricanes. And of course, those things are also important because that is the harsh reality in some parts of the world. But it's important also to remember the beauty, and DREAMSCAPES, for me, really does cherish that and reminds us of the beautiful world. Hopefully, it will make children, in particular, feel really uplifted about what they can do as little warriors of the next generation and the protectors of the planet.
Which chapter or scene in DREAMSCAPES has touched you the most - and why?
I have always loved the water, the oceans. Some of the images just of breaking waves I found almost operatic. They are just so, so spectacular. As we sat and watched the completed version, my husband was really moved just by some of the remarkable shapes that waves make when they break. You can see why surfers want to be pro surfers because to be in that tunnel of water, that sort of inertia, that movement, I mean, it's so special.
So, anything for me to do with the movement, the swirl of water, and how it also alters the environment beneath is fantastic. And to see sea life - I mean, there is some footage of ocean creatures that I swear I've never seen before. And it made me feel a little bit uneducated or stupid. And I've spent a lot of time in and under the water and on the sea floor. And some things blew my mind with the detail and the color. And there's just the spectacle of nature. I mean, you just can't believe it. And the way it is shot, everything is captured in a compassionate way. Nothing is a fast cut. You're allowed to be present with these wonderful images.
CHRISTIAN MACHACEK / Writer & Director
What is the origin story behind DREAMSCAPES?
The inspiration for this documentary about Mother Earth originated from a profound realization during the pandemic. The global crisis underscored the interconnectedness of humanity and nature. With limited travel options, we redirected our focus to explore and showcase our planet's extraordinary beauty, resilience, and environmental challenges. The pandemic served as a catalyst, highlighting the urgency of addressing environmental issues, making it a quick decision to bring all these talented people together and share their amazing pictures with the world.
Which habitat or sequence are you most proud of and excited to show people?
For me, the chapter on forests to be the most captivating and meaningful in our documentary for a multitude of reasons. Firstly, forests are incredibly diverse and serve as the lungs of our planet, playing a crucial role in maintaining the delicate balance of our ecosystem. The sheer variety of plant and animal life found in these ecosystems is both awe-inspiring and humbling.
As a filmmaker, I believe it's crucial to spotlight the importance of preserving and protecting our forests. They are facing unprecedented threats from deforestation, climate change, and human activities. By showcasing the beauty and significance of these environments, I hope to inspire a sense of responsibility and a deeper connection to our natural world.
How can we imagine the editing process and working on the music?
Editing scenes from over 250 videographers was an intricate and challenging process that brought a unique tapestry of perspectives to our documentary. Each videographer got his own view of his country and environment, resulting in a mosaic of visuals that beautifully encapsulate the global scope of our project. Coordinating and piecing together this diverse range of footage required meticulous attention to detail, ensuring a harmonious flow that would captivate our audience.
When it came time to pair the edited visuals with the music of a 70-piece orchestra, it was a transformative experience. The music added another layer of emotion and grandeur to the documentary, elevating it beyond a mere visual experience. Witnessing the marriage of stunning visuals and a symphony of sound was profoundly moving. The orchestra's music became the film's heartbeat, enhancing the storytelling and evoking a range of emotions that words alone could not convey.
EDWIN WENDLER / Composer
How did you approach the challenge of composing DREAMSCAPES?
By design, the voice-over narration in DREAMSCAPES is pretty sparse. This makes the words all the more important when we do hear them. It also means that the music must carry long audio stretches. There is a rich history of music for visual content, which tells us something about our experience as human beings on this planet. No matter what kind of approach one takes, some measure of anthropomorphism will always enter the equation. The trick is to do it tastefully and with reverence.
For this project, director Christian Machacek wanted a score that would convey a sense of genuine awe and wonder, combining orchestral, choral, and electronic elements. Christian and I grew up admiring the gorgeous and exciting scores accompanying our favorite movies, and we intentionally paid tribute to some of the composers who created that magical music. Hummable melodies and a variety of instrumental colors became essential ingredients in the process of giving each chapter its musical identity.
What part of composing do you like the most - and why?
Composing music to visuals means that there has to be a collaboration. I do my best to make that collaboration a happy one. Empathy and patience are so important when figuring out what the directors or producers want for their movie. Sometimes, I get lucky, and my gut instincts turn out to be the right ones. In other cases, we need to try out a variety of ideas until something feels suitable for everyone on the team. Much like in screenwriting, composers have to abandon some ideas they may initially feel very passionate about. It then becomes so important to be able to switch gears and to offer alternatives that not only work but may even surpass everyone's hopes.
What do you hope the audience will get out of this film?
It was essential to director Christian Machacek that this movie had the potential to be enjoyed by people across all demographics, including all age groups. This movie asks questions to those who want to hear them. I hope audiences will walk away with an enriched appreciation for Earth. Still, I honestly think there isn't even an agenda on our part. To some people, it may only be a collection of pretty images; to others, it may be something to meditate on. We don't know it yet, and that's a beautiful thing. Just watch, listen, and make it your own.
The Recording-Session-Trailer
Your Questions, Answered
Where can I watch the film?
You can stream DREAMSCAPES on TV, desktop, or mobile, whenever you want. One-time access includes the full film and all accompanying materials.
What kind of film is DREAMSCAPES - and is it suitable for children?
DREAMSCAPES is a cinematic experience rather than a traditional nature documentary. It tells its story through image and music, focusing on emotion, scale, and connection — not facts or commentary.
The film contains no violence, no sensational imagery, and no distressing narration. Its pace is calm and immersive, making it suitable for children and young audiences — particularly when experienced in an educational or shared setting.
Is artificial intelligence used in the film?
No. All imagery in DREAMSCAPES is real-world footage, created by human artists. The film is the result of on-location work, collaboration, and careful craftsmanship — without artificial intelligence or synthetic imagery.
What is the United Earth Project?
The United Earth Project is a global initiative born from DREAMSCAPES. It continues the spirit of the film by bringing people together through shared imagery of our planet and by enabling free, non-commercial screenings in social and educational contexts.
Can I organize a free screening in my community?
Yes — members of the United Earth Project can help organize free screenings in non-commercial settings such as schools, universities, children’s homes, senior citizen homes, and social or volunteer-based institutions. Commercial, corporate, or ticketed screenings are not part of this program.
Every journey begins with a conversation.
If you have questions, ideas, or want to help bring DREAMSCAPES into the world, we’re listening.
Members of the United Earth Project can also take an active role by organizing free community screenings — in schools, cultural spaces, or local initiatives — and by sharing the film’s message beyond traditional cinema.
Sometimes, spreading something positive starts simply: by creating a shared moment, and inviting others to see the world with fresh eyes.
About community screenings
Free community screenings are reserved exclusively for non-commercial, social, and educational contexts. This includes schools, universities, children’s homes, senior citizen homes, and social or volunteer-based institutions.
They are not intended for commercial use, corporate events, arthouse cinemas, or any other for-profit screenings.
This distinction allows DREAMSCAPES to be shared where access matters most — while preserving the film’s sustainability and independence.
