Narrated by Academy Award winner KATE WINSLET
Shaped by more than 250 ARTISTS ACROSS 100 COUNTRIES
A Cinematic Symphony Of Our Planet
A celebration of monumental imagery, captured in the real world, by human hands.
No artificial intelligence. No digital fabrication.
A sweeping orchestral score, accompanied by the ethereal voices
of the world-renowned Vienna Boys Choir & Vienna Girls Choir.
This is not just a film. It´s an experience. And a rare reminder that our planet is still worth saving.
DREAMSCAPES will be released worldwide on International Mother Earth Day, April 22, 2026. The website opens now to share the journey - and to prepare what comes next.
“One of the great joys for me as an actress has always been being able to express something I feel deeply. With this film, that feeling was immediate.”
KATE WINSLET
Watch it - Anywhere. Anytime.
On your TV, desktop, or mobile. Stream whenever you want. As often as you want.
WHAT YOU UNLOCK FOR € 19,- / $ 25,-
DREAMSCAPES - THE MOVIE
• The full 85-minute cinematic feature in 4K or 1080p, 2.0 or 5.1 sound, and subtitles in English, German, Spanish, French, and others
• Unlimited lifetime access on all devices
WHAT YOU UNLOCK FOR € 35,- / $ 40,-
A cinema-level experience, exclusive extras, and real-world impact — all in one purchase.
DREAMSCAPES - SUPPORTER EDITION
• The full 85-minute cinematic feature in 4K or 1080p, 2.0 or 5.1 sound, and subtitles in English, German, Spanish, French, and others
• Unlimited lifetime access on all devices
PLUS THESE EXCLUSIVE EXTRAS
• Digital Deluxe Poster, signed by Kate Winslet.
• DreamScapes: Original Score Highlights: 10-track soundtrack plus song to stream or download.
• The DreamScapes Companion Book: A 100-page digital book exploring the film’s journey.
• The Filmmaker Conversations: Full-length exclusive video-interviews with Kate Winslet, the Director, and Composer.
• DreamScapes Creative Pack: 11 printable coloring pages for all ages.
• Official Recognition: Your Supporter Certificate from The United Earth Project.
YOUR IMPACT
• A feel-good purchase with real meaning - because it does more than entertain: Your support enables free screenings in schools, community centers, retirement homes, youth centers, hospitals, and shared spaces worldwide.
YOUR COMMUNITY
• Optional access to a global archive of images inspired by the film - a growing worldwide community celebrating the beauty of our planet
All extras are provided as digital downloads! Watch it on your phone, tablet or computer with a simple click. Watch it also on AppleTV, Roku, Amazon FireTV with the Eventive App or via Chromecast. A support team will help you 7 days a week if you need help!
Instant access. No subscription. One-time payment.
Worldwide Release on April 22nd, 2026 - “International Mother Earth Day”
A one-of-a-kind adventure for the whole family!
The music and images work together in a way that feels almost physical. You don’t just watch the planet, you feel it. It left me with a renewed sense of respect for how rare and beautiful this world really is.
— Daniel Foster, Vancouver, CanadaThis is not just a nature film, it’s a reminder. The combination of imagery and music made me feel connected to places I’ve never been. It made me want to protect them as if they were my own.
— Anna Keller, Munich, GermanyI expected beautiful images and powerful music, but the film did something deeper. It reminded me how extraordinary this planet still is, and how rarely we actually stop to see it. I left the cinema feeling quiet, grateful, and alert.
— Emily Carter, London, UKThe beauty is overwhelming, but never empty. Each scene feels like an invitation to care again. It reminded me why the Earth is not just where we live, but something we belong to.
— Laura Martínez, Barcelona, SpainI’ve seen many documentaries, but this one slowed me down. It made the planet feel vast, alive, and worth defending. I walked out seeing the world around me differently.
— Michael Thompson, London, UKThe visuals are stunning, but what stayed with me was the feeling of responsibility. The film doesn’t lecture, it simply shows what we stand to lose. That made the beauty feel fragile and precious.
— Jonas Richter, Hamburg, Germany
Watch DREAMSCAPES. Unlock everything. Do real good - the easy way.
The United Earth Project
Watching DREAMSCAPES does more than having a great movie experience and unlock bonus material. It brings you into a growing community connected by the beauty of our planet — and helps the film reach far beyond traditional cinema spaces.
Every view supports free screenings for children, students, and people who are often excluded from cultural experiences. Within the community, members share carefully curated images of Earth — photographs they made themselves, in places they care about, and felt were worth sharing. Quiet reminders of its beauty, its fragility, and its value.
In a time when the world often feels loud and fractured, this is a place for quiet, shared optimism.
During the three-year creation of DREAMSCAPES, more than 250 artists from over 100 countries worked together across continents, cultures, and backgrounds. Different languages, different perspectives — connected by a shared respect for the world we live on. That collaboration did more than create a film. It proved something simple, and powerful: working together without borders is still possible.
The United Earth Project carries that experience forward — not as an idea, but as a lived practice. A community built on collaboration, shared beauty, and openness.
Only 5 of 250+ Creators
KATE WINSLET
Actress / Narration
How did you become involved with the project DREAMSCAPES?
When this project came in and my agency contacted me about it, my insides immediately lifted. I felt so excited to be part of something that was not focused on underlining the declining world but really amplifying the beautiful natural world that is still there. And we all have this shared responsibility to protect it. Being able to give my voice to something that felt very unique, very beautiful, and very special was something to which my heart was drawn straight away.
What in particular attracted you to the project?
I think people are more inclined to be inspired to do good if they see beautiful images instead of endless images of floods and hurricanes. And of course, those things are also important because that is the harsh reality in some parts of the world. But it's important also to remember the beauty, and DREAMSCAPES, for me, really does cherish that and reminds us of the beautiful world. Hopefully, it will make children, in particular, feel really uplifted about what they can do as little warriors of the next generation and the protectors of the planet.
With all the sensory overload and technical temptations, do you think coming generations will still be able to get excited about the simple wonders of Nature ?
DREAMSCAPES comes at a time that is quite important in terms of how children are learning and what they're exposed to in their everyday lives. You know, so much of their life and learning now is on screens and, of course, the dreaded iPhones and social media and things that I'm very passionate about with regard to them being quite a destructive influence if they're used in the wrong way.
As adults, it's really up to us to educate our children mindfully, wisely, and kindly. And for me, DREAMSCAPES really is a story of kindness. It shows the beautiful world with all of its creative, colorful expressions through nature. And that's something to be celebrated.
And I think that's an important, essential part, actually, of how we are educating children now, just keeping their eyes open and their minds alive so that they can be receptive to the declining world and that they can cherish and see the beautiful things. Because it's so easy to do a long car journey for five hours with a child and just let them sit and watch an iPad. And actually, they're missing a beautiful sunset or that incredible field of cornflowers or the remarkable daffodils that we have at this time of year in the United Kingdom.
You don't want them to miss it. And so I think DREAMSCAPES brilliantly captures all the things that we must remind ourselves to see and be thankful for.
CHRISTIAN MACHACEK
Writer & Director
What is the origin story behind DREAMSCAPES?
The inspiration for this documentary about Mother Earth originated from a profound realization during the pandemic. The global crisis underscored the interconnectedness of humanity and nature. With limited travel options, we redirected our focus to explore and showcase our planet's extraordinary beauty, resilience, and environmental challenges. The pandemic served as a catalyst, highlighting the urgency of addressing environmental issues, making it a quick decision to bring all these talented people together and share their amazing pictures with the world.
Which habitat or sequence are you most proud of and excited to show people?
For me, the chapter on forests to be the most captivating and meaningful in our documentary for a multitude of reasons. Firstly, forests are incredibly diverse and serve as the lungs of our planet, playing a crucial role in maintaining the delicate balance of our ecosystem. The sheer variety of plant and animal life found in these ecosystems is both awe-inspiring and humbling.
As a filmmaker, I believe it's crucial to spotlight the importance of preserving and protecting our forests. They are facing unprecedented threats from deforestation, climate change, and human activities. By showcasing the beauty and significance of these environments, I hope to inspire a sense of responsibility and a deeper connection to our natural world.
How can we imagine the editing process and working on the music?
Editing scenes from over 250 videographers was an intricate and challenging process that brought a unique tapestry of perspectives to our documentary. Each videographer got his own view of his country and environment, resulting in a mosaic of visuals that beautifully encapsulate the global scope of our project. Coordinating and piecing together this diverse range of footage required meticulous attention to detail, ensuring a harmonious flow that would captivate our audience.
When it came time to pair the edited visuals with the music of a 70-piece orchestra, it was a transformative experience. The music added another layer of emotion and grandeur to the documentary, elevating it beyond a mere visual experience. Witnessing the marriage of stunning visuals and a symphony of sound was profoundly moving. The orchestra's music became the film's heartbeat, enhancing the storytelling and evoking a range of emotions that words alone could not convey.
EDWIN WENDLER
Composer
How did you approach the challenge of composing DREAMSCAPES?
By design, the voice-over narration in DREAMSCAPES is pretty sparse. This makes the words all the more important when we do hear them. It also means that the music must carry long audio stretches. There is a rich history of music for visual content, which tells us something about our experience as human beings on this planet. No matter what kind of approach one takes, some measure of anthropomorphism will always enter the equation. The trick is to do it tastefully and with reverence.
For this project, director Christian Machacek wanted a score that would convey a sense of genuine awe and wonder, combining orchestral, choral, and electronic elements. Christian and I grew up admiring the gorgeous and exciting scores accompanying our favorite movies, and we intentionally paid tribute to some of the composers who created that magical music. Hummable melodies and a variety of instrumental colors became essential ingredients in the process of giving each chapter its musical identity.
What part of composing do you like the most - and why?
Composing music to visuals means that there has to be a collaboration. I do my best to make that collaboration a happy one. Empathy and patience are so important when figuring out what the directors or producers want for their movie. Sometimes, I get lucky, and my gut instincts turn out to be the right ones. In other cases, we need to try out a variety of ideas until something feels suitable for everyone on the team. Much like in screenwriting, composers have to abandon some ideas they may initially feel very passionate about. It then becomes so important to be able to switch gears and to offer alternatives that not only work but may even surpass everyone's hopes.
What do you hope the audience will get out of this film?
It was essential to director Christian Machacek that this movie had the potential to be enjoyed by people across all demographics, including all age groups. This movie asks questions to those who want to hear them. I hope audiences will walk away with an enriched appreciation for Earth. Still, I honestly think there isn't even an agenda on our part. To some people, it may only be a collection of pretty images; to others, it may be something to meditate on. We don't know it yet, and that's a beautiful thing. Just watch, listen, and make it your own.
KLEMENS HALLMANN
Producer
How did DREAMSCAPES come about?
It started with the compelling idea of the director that resonated with me, followed by extensive research to ensure a good story for a worldwide audience. A talented and dedicated team collaborated and meticulously planned every aspect - which was challenging not only because of the pandemic at that time but also because we had to get all rights and licenses from more than 250 individuals around the globe. I'm also incredibly proud of Edwin Wendler's orchestral score, which gave me goosebumps while it was being recorded at the soundstage. And, of course, that I managed to get the world-famous Vienna Boys Choir and Vienna Girls Choir to participate, which I am a big admirer and supporter of.
What is the scale of DREAMSCAPES?
The scale of this nature documentary is immense, involving vast landscapes and intricate ecosystems, and often spans across different regions or continents. But also on the production side: With a single team, this movie would not have been possible, and if so - it would have cost ten times as much. But to have all these wonderful, creative people living and working right there in those specific places made it all possible in the first place.
Why does this film matter? Why now?
This nature documentary matters because it addresses critical environmental issues at a time when our planet faces unprecedented challenges. It aims to raise awareness about the urgent need for conservation and sustainable practices through breathtaking visuals and compelling storytelling. The timing is crucial as we grapple with pressing environmental issues, fostering a sense of responsibility and inspiring viewers to take action for the well-being of our planet. But this time, not with horrible scenarios, but through beauty and fascination.
Will there always be an audience for films and documentaries about our planet?
Absolutely. The fascination with our planet's beauty, mysteries, and environmental concerns is timeless. As long as there's a curiosity about the world we inhabit and a collective responsibility for its well-being, there will be a dedicated audience eager to explore and understand through films and documentaries.
DENNIS S. SANDS
Music Mixer
Dennis S. Sands is an American sound engineer. He has been nominated for four Academy Awards in the category „Best Sound”. He has worked on over 400 films since 1979. Notable titles include, On Golden Pond (1981), Back to the Future (1985), Dick Tracy (1990), Forrest Gump (1994), Good Will Hunting (1997), Erin Brockovich (2000), Chicago (2002), Dreamgirls (2006) and Argo (2012).He is best known for his collaborations with composers Alan Silvestri and Danny Elfman.
Sound engineer legend Dennis S. Sands about the score:
I've worked on more than 400 scores in my time, and this one is just spectacular. It's enormous, it's sensitive, it's rich, powerful. It's got such an incredible array of emotional content. What more can you ask for, especially for this movie?
DREAMSCAPES is a remarkable depiction of so much stunning beauty in our world - something we all desperately need now. So, the composer's task for this movie's amazing imagery: create a score that goes from very intimate to infinitely massive - so it's a heavy lift for [composer Edwin Wendler]. But what a great job he has done. Edwin's score takes every opportunity to create unique, powerful music that fits so beautifully and goes way beyond what was probably imagined. Huge kudos to him!
I'm thrilled to have been a part of this beautiful creation. And I was even asked to mix in Dolby Cinema Atmos - another added joy!
Voice & Music - The Recording Sessions
The narration is as perfect as it can be - and the score of DREAMSCAPES was not composed to decorate images. It was built to carry them.
Working with Kate Winslet as an actress was, for director Christian Machacek, one of the most rewarding experiences of the entire production.
From the first recording session, the collaboration was defined by ease, mutual respect, and an unmistakable sense of professionalism. Winslet approached the narration not as a technical task, but as a performance — attentive to rhythm, meaning, and emotional restraint. There was no friction, no distance, no need for explanation. She listened carefully, adjusted instinctively, and delivered with a level of precision that only comes from decades of craft. Despite her stature, the process was genuinely amicable. Calm, focused, and generous in the room, she brought clarity to every line without ever overpowering it. Her voice does not guide the film — it inhabits it. Without her acting, her timing, and her unmistakable presence, DreamScapes would be a fundamentally different film.
And then there is the phenomenal score.
The music of DREAMSCAPES was never meant to accompany the images. It was meant to stand beside them. At its center is composer Edwin Wendler, whose life in music forms a rare and almost circular narrative. Wendler grew up in Vienna, a city where music is not background but identity. As a child, he was a member of the Vienna Boys Choir, learning early how collective sound can carry emotion far beyond language.
Today, Wendler lives and works in Hollywood, where he has contributed to major international productions, including X-Men: Days of Future Past, Non-Stop, and The Nice Guys. These projects sharpened his sense for scale and cinematic pacing, without diluting the musical sensibility formed in his early years. For DreamScapes, those two worlds finally converged. The score was recorded over two focused days at SoundStage Vienna, one of Europe’s most prestigious scoring stages. A 70-piece orchestra filled the room, assembled not for spectacle, but for depth and precision. Wendler shaped the music in long emotional arcs rather than isolated cues — trusting silence as much as sound.
The defining moment came with the arrival of two choirs. For the first time in history, the Vienna Boys Choir and the Vienna Girls Choir performed together. Their voices do not sing words. They sing breath, fragility, and presence. For Wendler, this was deeply personal. Standing in front of the Vienna Boys Choir once again — now as a composer — closed a circle that began in childhood. By blending their voices with those of the Vienna Girls Choir, the score gained a human dimension no orchestra alone could provide. DreamScapes rests on two performances: one spoken, one musical. Kate Winslet gives the film its emotional intelligence. Edwin Wendler gives it its pulse.
Neither could exist in this form without the other.
FAQs
You can stream DREAMSCAPES on TV, desktop, or mobile, whenever you want. One-time access includes the full film and all bonus materials. Additionally, there will be occasional cinema screenings in the future, where you will be able to experience the film on the big screen with rich Dolby Atmos sound. Dates and locations will be shared with you as part of the community.
Where can I watch the film?
What kind of film is DREAMSCAPES - and is it suitable for children?
DREAMSCAPES is a cinematic experience rather than a traditional nature documentary. It tells its story through image and music, focusing on emotion, scale, and connection — not facts or commentary.
The film contains no violence, no sensational imagery, and no distressing narration. Its pace is calm and immersive, making it suitable for children and young audiences — particularly when experienced in an educational or shared setting.
No. All imagery in DREAMSCAPES is real-world footage, created by human artists. The film is the result of on-location work, collaboration, and careful craftsmanship — without artificial intelligence or synthetic imagery.
Is artificial intelligence used in the film?
The United Earth Project is a global initiative born from DREAMSCAPES. It continues the spirit of the film by bringing people together through shared imagery of our planet and by enabling free, non-commercial screenings in social and educational contexts.
What is the United Earth Project?
Yes — members of the United Earth Project can organize free screenings in non-commercial settings - such as schools, universities, children’s homes, senior citizen homes, and social or volunteer-based institutions.
The screenings are intended exclusively for non-commercial purposes. They may not be sold, promoted, or connected to ticketed admission. The focus is on shared experience, education, and exchange.
Commercial, corporate, or ticketed screenings are not part of this program!
Can I organize a free screening in my community?
Continue the conversation!
Every journey begins with a conversation.
If you have any questions, ideas, or want to help bring DREAMSCAPES into the world, we’re listening.
Members of the United Earth Project can also take an active role by organizing free community screenings — in schools, cultural spaces, or local initiatives — and by sharing the film’s message beyond traditional cinema.
Sometimes, spreading something positive starts simply: by creating a shared moment, and inviting others to see the world with fresh eyes.
About community screenings
Free community screenings are reserved exclusively for non-commercial, social, and educational contexts. This includes schools, universities, children’s homes, senior citizen homes, and social or volunteer-based institutions.
They are not intended for commercial use, corporate events, arthouse cinemas, or any other for-profit screenings.
This distinction allows DREAMSCAPES to be shared where access matters most — while preserving the film’s sustainability and independence.